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Ahead of TEFAF Maastricht, Tamio Ikeda, of the Paris gallery Tanakaya, shares the complex history behind the woodblock print, and how mutual admiration may have saved it.
The Madison Museum of Contemporary Art debuted “Bird and Blossom,” an exhibition of woodblock prints depicting simple relationships in the natural world, on Jan. 24. Curated by Eleanor Pschirrer-West, ...
In Junk in the Trunk 14, Lark Mason III appraises Kawase Hasui Japanese woodblock prints, ca. 1922. Funding for ANTIQUES ROADSHOW is provided by Ancestry and American Cruise Lines.
The great Japanese woodblock prints by the artists Katsushika Hokusai and Utagawa Hiroshige are so influential, and so beautiful, you never need any excuse to see them. "Japanese Impressions" at ...
Why Images of Ghosts Have Endured in Japan for Centuries A new exhibition at the National Museum of Asian Art displays haunting, colorful woodblock prints ...
Think about how your eyes move through the print. How do its various elements affect your eyes’ path? How could this print have been made? Does this style look like anything you’ve seen before?
Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that ...
Katsushika Hokusai’s Japanese woodblock print colloquially known as “The Great Wave” stands as one of the most famous and widely reproduced images in the world. The famed composition crops ...
Put together by the Worcester Art Museum in Massachusetts, it is derived from the estate of businessman John Chandler Bancroft, which donated 3,700 Japanese woodblock prints to the museum in 1901.
In addition to the 100 original woodblock prints, another 50 works on display will include loans of samurai armor and arms and rarely seen works from the DAI Japanese collection, such as ...
Icons Exploring Nature in Japanese Prints A new exhibition at Oregon’s Portland Art Museum shows how a cheap, popular art form produced enduring masterpieces Maki Haku, ‘Fuji san-12’ (1989).
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