Soderbergh talks to IndieWire about "Jaws," his 15-year project to write a book about directing, and working to get his entire film catalog in 4K HDR.
Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character. “Presence” is filmed entirely from the POV of a ghost inside a home a family has just moved into.
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.”
“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.
There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu and Liang about preparing for their unconventional film—and their own relationships to the paranormal.
Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.
Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out of a story, dreams and screenwriting, and his thoughts on the business of screenwriting today. Presence opens January 24, 2025 from NEON.
Presence is a more delicate and nuanced haunted house movie that takes a more elevated route to horror as opposed to more gory ghost stories like 13 Ghosts or The Haunting in Connecticut. If you’re looking to watch something with fewer horrific images and jump scares while you wait to see Presence, check out these similar movies!
With the audience haunting a sad family through a spirit's POV, Steven Soderbergh's latest experiment is ultimately about the never-ending appeal of voyeurism.
By confining the camera perspective to the viewpoint of its unseen ghost, director Steven Soderbergh scores with a crafty thriller.
Steven Soderbergh’s Presence is being marketed as a horror movie, but there’s one thing audiences should know before they watch.