The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.

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"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."

The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.”

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.