Almost everyone in Salome wants something they shouldn’t. A king desires his stepdaughter, a servant desires a princess and a princess desires a prisoner with equal parts fascination and repulsion. We ...

Staged in deepest black and dingy white, Guth’s production is unapologetic in its symbolism. It opens on a girl playing with a doll in relative silence. She breaks off its arms moments before that ...

Performances in N.Y.C. Advertisement Supported by Critic’s Pick In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six versions of her ...

A scandalous fellow wrote a scandalous play which became a scandalous opera. Kelly Slawson brings a dazzlingly powerful, beautiful voice to the title role. It’s an unforgettable triumph in a real tour ...

The story of Salome, the niece and stepdaughter of the biblical King Herod, and her pursuit of John the Baptist has inspired countless works, from theater productions and paintings to films and ...

Across the centuries, the story of Salome has been staged, scored, adapted, pushed and pulled in a welter of ways, always finding new ways to shock. On Sunday, the curtain went up on Richard Strauss’s ...

The Royal Opera House in Covent Garden opened its fourth revival of David McVicar’s famous 2008 production of the Richard Strauss opera “Salome” one day after the death of the Queen of England in 2022 ...

Performances in N.Y.C. The renowned German director Claus Guth is staging Strauss’s breakthrough opera with a focus on themes of trauma and abuse. The director Claus Guth is making his Metropolitan ...

Richard Strauss’s eerie and perverse Salome is based on Oscar Wilde’s play of the same name as adapted by librettist Hedwig Lachmann. Wilde was inspired by the Biblical tale of Princess Salome and ...

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