A brilliant colorist, he hung his canvases from ceilings in great curves and loops, or pinned them, gathered, to walls, taking his medium into three dimensions. By Roberta Smith Sam Gilliam, a ...

In a literal sense, every artist contemplates and reckons with a lifetime's worth of places and encounters. A Wisconsin native who studied at Columbia College, and now resides in Tacoma, Washington, ...

Diane Burko, "Unprecedented" (2021), mixed media, 8 x 15 feet (all images courtesy the artist) WASHINGTON, DC — At the heart of Diane Burko’s retrospective exhibition at the American University Museum ...

It is hard to tell if abstract painting actually got worse [after the 1960s], if it merely stagnated, or if it simply looked bad in comparison to the hopes its own accomplishments had raised. —Frank ...

Sean Scully, "Heart of Darkness" (1982), oil on canvas, 8 x 12 feet. Art Institute of Chicago, Gift of Society for Contemporary Art (image courtesy the Art Institute ...

This article was published in Scientific American’s former blog network and reflects the views of the author, not necessarily those of Scientific American Hashtags have become a standard in ...

Farah Atassi is not entirely comfortable with you feeling comfortable about her artwork. But when walking into the first room of her current exhibition at the Musée Picasso, the urge to take a deep, ...

His later paintings adopted a hotter and more vibrant palette, and his brushwork became freer and more confident. Some paintings seem to glow like stained glass, at least to judge by photos of them.

The primary authors of this post are Dirk B. Walther (University of Toronto) and Claudia Damiano (KU Leuven) Have you ever stood before an abstract painting, feeling a surge of emotion but struggling ...

Abstract art often gets an undeserved bad rap. Many people famously dismissed Jackson Pollock‘s signature drip paintings in the 1950s, for instance, as being something that a trained chimpanzee could ...

FOR half a century art critics have undertaken to address not a sophisticated minority like the readers of literary magazines, but the mass of unbelievers to whom twentieth-century art is a mystery or ...