The Whitney Museum’s newly opened show “Edward Hopper’s New York” is sure to be a blockbuster in the fall art calendar, both for veteran New Yorkers and for the throngs of international tourists who ...
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In Alex Ross’ lyrical essay about the films of Andrei Tarkovsky, he describes the ending of Tarovsky’s masterpiece about a medieval Russian icon painter: “Suddenly, a black-and-white screen is filled ...
To celebrate Edward Hopper’s 142nd birthday, the Whitney Museum of American Art hosted its second annual bike ride to the artist's birthplace. Cyclists in front of the Edward Hopper House, Nyack, New ...
Edward Hopper, Soir Bleu, 1914; Oil on canvas, 36 × 72 in. (91.4 × 182.9 cm); Whitney Museum of American Art, New York; Josephine N. Hopper Bequest 70.1208 Hopper puts all these influences together in ...
It was an on-going joke in art school, when one was particularly stressed over a coming crit or a stubborn body of work that refused to well, work, that we would all quit and go to law school. With ...
Edward Hopper, Automat, 1927. Oil on canvas, 28 1/8 × 35 in. (71.4 × 88.9 cm). Des Moines Art Center, Des Moines, Iowa; purchased with funds from the Edmundson Art Foundation, Inc. Seated alone, an ...
NEW YORK — You can’t think about Edward Hopper without thinking of mid-20th century New York: its shoulder-to-shoulder tenements, its bridges, its pharmacies, its lunch counters and late-night diners.
Cece Philips discusses works by Barkley L. Hendricks and Edward Hopper, as well as one of her own new pieces, which depicts a solitary moment at the end of the day. By Precious Adesina We’d like you ...
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