They’re selling “Presence” as a horror movie when it’s something else entirely: a ghost story as told from the point of view of the ghost. As such, it’s more unsettling than scary, more dramatically gripping than nerve-shredding.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

While he made his name in the mainstream with the Magic Mike and Ocean’s Eleven films, Steven Soderbergh has experimented with genre and form in a number of smaller movies. In the horror genre, he made 2011’s frighteningly prescient pandemic horror Contagion,

The prolific filmmaker turns a supernatural thriller into an experiment in first-person perspective and a dysfunctional family drama that’d make Eugene O’Neill cringe